
1984, voice cut-up, Tellus cassette, 2:48, why talk is a struggle
2.

1984, voice cut-up, various compilations, 4:19, lumen de lumenes
3.

1984, dance soundtrack and compilation release, 4:38, chant degeneration
4.

1984, dance soundtrack and Tellus cassette, 1:17, palindrome drone
5.

1985, documentary essay, NPR, 55:20
6.

microcast, diverse stations, 1:31
7.

1986, radio play, New American Radio, 26:30, vulnerological investigations
8.

1986, microcast, diverse stations, 1:42
9.

CD release, staalplaat, 14:33, it's the pleasure, and it's alive
10.

1987, phonetic cross-cut, on Pleasure of Ruins CD, 3:35, the invisible generation, dead, torched
11.

1987, microcast, Pleasure of Ruins CD, 4:37, radio utopia is no place
12.

vocal apparatus exercise, polycast, 1:20
13.

1988, lettrist rotation from the cassette Writing on Air, 1:06
14.

1989, palindromic inversion from the cassette Writing on Air, 0:54
15.

1990, microcast, New American Radio, 5:51, our policy is to keep the patient breathing
16.

1990, lecture demonstration, 7" release, RRR, 6:31
17.

1991, language lesson, for Tellus CD Site-less Sounds, 4:50
18.

1991, emergency broadcast, for Tellus CD, 2:10
19.

1991, docufiction, New American Radio, 27:00, a pyromentary for those who got the fever
20.

1992, documentary performance, ABC, 40:00, from the Institute for Screamscape Studies produced with Roz Cheney and John Jacobs
21.

1992, excerpt from Pressures of the Unspeakable, 4:54
22.

1993, radio play manifesto, New American Radio, 22:40
23.

excerpt from Shake, Rattle, Roll, 2:23, radio litany, with Dan Lander and an anonymous chorus
24.

1994, radio performance/play, New American Radio, 28:30, later CD release on Generator Sound Art Christof Migone and GW in philosophical improvisation
25.

excerpt from The Thing About Bugs, 3:57
26.

1995, telephonic journey for Rappel CD compilation, 15:00, you can't get there from here
27.

1995, cabaret for the disembodied, New American Radio, 27:42, knees, noses and a phallus impudicus
28.

radio essay, France Culture, (excerpt, 2:24), by GW and Allen S. Weiss, duration of complete program, 45:00
29.

1996, musical navigation for radio, Sound Culture SF, 40:00, GW and Richard Busch, with Ilse Pfeiffer
30.

1997, Villa Arson jukebox, 3:47, found voices
31.

1997, Villa Arson jukebox, 5:11, found voices
32.

1997, documentary meditation, ABC, 40:00, with Michelle Griffiths, Leandro Katz, Chantal Thomas
33.

1997, LIAR report, NPR, 2:27
34.

1998, LIAR report, NPR, 3:38
35.

imaginary conversation, BBC4 14:00, celebrity necrobilia with Walter Sculley
36.

1998, imaginary conversation, BBC4 14:00, they are trying to tell us something
37.

1998, imaginary conversation, BBC4, 14:00, walking the circle via the existential phonograph
38.

1998, imaginary conversation, BBC4, 14:00, artist eats three big books
39.

1999, group love letter for mother radio, 5:26
40.

2000, radio play, BBC4, (excerpt, 3:07), voices on excerpt: Henry Strozier, Leslie Nixon, duration of complete play is 56:00
41.

for Writing Aloud CD, 2:10
42.

2000, cooking show, BBC4, 4:00
43.

2000, entrepreneurial performance, BBC4, 4:00
44.

2001, voice/face play for radio, 9:30, Genrator Sound Art release
45.

2001, radio play, BBC4, (excerpt, 5:28), voices on excerpt: Jonathan Epstein, Corinna May, Allyn Burrows and Elizabeth Ingram, duration of complete play is 56:00
46.

2002, wordplay cartoon, BBC3, 1:44
47.

2003, documentary performance, BBC4, (excerpt, 4:25) the last voyage of Horatio Nelson, duration of complete program: 14:00
48.

2003, docufictive travelogue, BBC4, (excerpt, 3:17), with Virginia Crompton, GW, and Karen Lee as Cat Slade, duration of complete program is 27:30
49.

2003, radio road movie, BBC 3, (excerpt, 11:08) music by Nick Zammuto and Paul Dejong. voices on excerpt: Karen Lee, Jon Swan, GW and Anne Undeland. duration of complete play is 88:30.
50.

2004, excerpt from WFMU live-to-air screamscape, with Kenny G.
51.

2004, song setting for a poem by Christian Morgenstern, 2:21, performed on the whistled snymbal, by GW
52.

2004, outcast epistemology, after Donald Rumsfeld, 2:09, no we just don't know
53.

soundtrack for marionette theater, 11:34 voice by Michel Nedjar
53.

2004, docufictional report, BBC3, (excerpt, 3:53), produced with Mark Burman, duration of complete program: 19:30
Segue Series Reading at the Bowery Poetry Club, October 19, 2002
1. Brian Kim Stefans' Introduction (2:52) :

2. Gregory Whitehead's Introductory Comments (2:30) :

3. Proposition 2 (1:07) :

4. Intro: Radio Cartoons (2:18) :

5. Evil Axis (1:59) :

6. Intro: Martha (1:58) :

7. The Meaning of MARTHA (2:34) :

8. Intro: Linguistic Hermaphrodites & Rats Live On No Evil Star (2:24) :

9. Eva Can I Stab Bats in a Cave? (0:45) :

10. Intro: The Squid Piece (1:38) :

11. All About Squid (1:20) :

12. Intro: Amsterdam Intervention (2:23) :

13. Bugs Bardo Radio! (2:55) :

14. Into: The Dream of Freezing Sound (1:44) :

15. Ice Music (2:48) :

16. Intro: Fake Science Things (2:12) :

17. Brain Mash (3:58) :

18. Intro: Glossolalia Anagrams (1:42) :

19. Everything I Know About Glossolalia (2:45) :

complete reading (42:04):

All castaways for private and educational use only. For broadcast rights, or to request complete versions of excerpted works, contact info@gregorywhitehead.com
NOTES
Gregory Whitehead is a writer, audio artist, and the director of sea-crow media. He has produced over fifty radio features, voice works, and earplays for programs in the United States and abroad. Drawing on his background in improvised music and experimental theater, Whitehead has created a body of radiophonic work distinguished by its playfully provocative blend of text, concept, voice, music, and pure sound. Production credits include: Dead Letters, Pressures of The Unspeakable (Prix Italia, 1992), and New American Radio commissions: Lovely Ways to Burn (1990), Shake, Rattle and Roll (1992) (BBC Award, Prix Futura, 1993) and The Thing About Bugs (1994). He is also the author of numerous essays on subjects relating to language, technology, and "the public", and he co-edited Wireless Imagination: Sound, Radio and the Avant-Garde, a selective history of audio and radio art (MIT Press).
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