8.5.11
16.11.10
brilliant essay on glitch linguistics: the Machine in the Ghost Static Trapped Mouths by Curt Cloninger
'This essay applies Mikhail Bakhtin's language theory of "the utterance" to the machinic event of "the glitch" in order to illuminate contemporary glitch art practices, and to suggest fruitful ways in which they might proceed. I understand "the glitch" to be an affective event generated by a media machine (computer, projector, game console, LCD screen, etc.) running in real-time, an event which creates an artifact that colors and modulates any "signal" or "content" being sent via that machine. In 1962, John Glenn famously defined "glitch" as "a spike or change in voltage in an electrical current."1 "Glitch" has since come to demarcate a set of audio/visual artistic practices which capture, exploit, and produce glitch artifacts.
My goal is not to end all conversation about glitch art by ontologically overdetermining what a glitch is and how exactly it works. Instead, I pose this specific, particular position in the hopes of ending some of the more dead-end and circular conversations about the glitch. I also hope this essay will open up more fruitfully problematic conversations, and will lead to less banal, more conceptually rigorous works of art.' ... for more click here
Labels: digtal, glitch, language, sounded-language
13.11.10
Half of the world's 6500 to 7000 languages are expected to disappear this century.
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Labels: language, lost languages
20.9.10
Susan Hiller's Last Silent Movie- wonderful work
click here
Labels: activism sounded-language, language, silence
28.4.10
robot song sings scatt
this was one of the earliest Vocaloid songs ever 'created'. I still remember that amazed fascination I felt, watching "robots" sing so well...
heres some others- 'Miriam' vocaloid songs
Vocaloid MIRIAM Demos:MIRIAM Demo: "Never Give Up".
(NOTE: All vocals on this demo are sung by Vocaloid MIRIAM). Composed, Programmed and Produced by Andy Power.
MIRIAM Demo: "Is This It?".
(NOTE: All vocals on this demo are sung by Vocaloid MIRIAM). Composed, Programmed and Produced by Anders Sodergren.
MIRIAM Demo: "Under The Moon".
(NOTE: All vocals on this demo are sung by Vocaloid MIRIAM). Composed, Programmed and Produced by Anders Sodergren.
but these are the ones I rea-aly like... scatt'n away
LEON+LOLA Demo: "Dupdah".
(NOTE - All vocals on this demo are by either Vocaloid LOLA or Vocaloid LEON). A humorous piece featuring a kind of non-verbal "scatting", featuring LOLA and LEON singing together. This one illustrates Vocaloid's freedom! You can use any sounds a human could utter, and more! As you can see, rhythmically, harmonically, and melodically speaking, the sky's the limit! Written, programmed and produced by Anders Sodergren.
LEON+LOLA Demo: "Freaky Sheep".
(NOTE - All vocals on this demo are by either Vocaloid LOLA or Vocaloid LEON). An abstract avant garde piece of rhythmic vocal sculpture (or to put it another way, weird) that illustrates how easy it is to explore new sonic territory with Vocaloid. Written, programmed and produced by Joe Hogan. Who did Joe get to sing what? Basically its 50/50 between the two singers. The harmonised stereo delay arpeggio type thing at the start is LOLA on the left and LEON on the right. The offbeat "sha" that comes in is both singers, again panned left and right. The "sar" bassline is Lola (way below her natural range!). The "ah, ah, ah, ah, ah" 4-part block chords figure contains two of each singer. The really high pitched tune that comes in at 0:24s is LEON (way above his range!). The whispered "taka-taka" thing that can be heard clearly at 0:33s is LEON, and that kind of bassy pitched kick-drum type sound that happens at the same time is also LEON. Switching between singers during a sequence is easy with Vocaloid.
more here
Labels: digital media, digital sound, dummies, experimental, girrl sounds, language, lo-fi, robots, speech sounds, vocaloid