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about the 'sounding' of sounded-language
... this blog continues to be a bag of tricks ... l originally started it to share sound art links but it has been revamped and is now focusing on language. Like the 'unsound' it still ranges from spoken and sung cacophonies, links to writers such as Stein but now many others, my furiously fitful notion of sounded language and its scores, and hybrid or experimental writing, especially with a flarffy twist. It previously worked for me as a research space for my PhD so posts before April 2023 will reflect that. Just to be clear 'unsound' for me is no way a value judgment ... majena mafe
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Archive
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2010
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December
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- from Non-Cohlea Exhibition sound artists and essay...
- How To Write A Text About How To Write A Text Scor...
- Reading and Time: A dialectic between academic exp...
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- merry christmas you know who I mean
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- Turner Prize 10: Susan Philipsz
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2 comments:
Can anyone explain to me why no one in the audience seems to be laughing?
I know.... I think they are might be a very serious literary mob... sob snob mob. In general people do seem reluctant to laugh or laugh enough, I find.
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