quoting Toop ...'I was wondering what the nature of listening actually is. It’s an  everyday experience, not necessarily a special thing, but it has  elements of the uncanny about it because sound is so fleeting. Where  does it exist in space? Where does it come from? It’s one of the  peculiarities of listening that when we can’t identify the source of the  sounds we’re hearing, we make assumptions, and, of course, that leads  to ambiguity. That’s accentuated by the fact that sound seems to be at  its source, all around us, and in our heads simultaneously. There’s a  strong overlap there among what exists, what we think of as the real,  and what may be auditory hallucinations. All this material is mixing in  our mind with the constant flow of thoughts. The term I came up with was  mediumship—there was some sort of power there. As we listen  we’re trying to draw out information from something that has already  passed, and was ambiguous anyway. This seemed to fit with the notion  that the representation of sounding events or listening experiences can  exist in silent media. It’s not so big a jump to think of literature in  that way, because it’s a verbalization of experience. But a 17th-century  painting is a bigger jump..'
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