Heather Leigh Murray of Charalambides solo.
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about the 'sounding' of sounded-language
... this blog continues to be a bag of tricks ... l originally started it to share sound art links but it has been revamped and is now focusing on language. Like the 'unsound' it still ranges from spoken and sung cacophonies, links to writers such as Stein but now many others, my furiously fitful notion of sounded language and its scores, and hybrid or experimental writing, especially with a flarffy twist. It previously worked for me as a research space for my PhD so posts before April 2023 will reflect that. Just to be clear 'unsound' for me is no way a value judgment ... majena mafe
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Archive
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2008
(546)
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February
(101)
- Stein's birthday month and a STEIN special on Word...
- Call for feminist experimental writers from Julian...
- the tooo much
- and then I go back to being too much -it happens w...
- the noelipian artifacts (and me trying to be minim...
- Tom Raworth at Essex University Lakeside Theatre
- 87 channel opera for silence ...
- the importance of SCAT Elza Soares: Teleco Teco N° 2
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- Ella -queen of scat...on Ubu web
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- European English:The European Commission has jus...
- stein and the making of new sounds
- christper knowles and the sundance kid
- Starlings Song and Mozart
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- A Wild Woman - 1933
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- for...Rachel and the "unsaid"
- the sound inside it -majena mafe
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- bad noise productions
- silllent movie -majena mafe
- new sound on Glossolalia from Gertrude Stein
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- how are you -majena mafe
- oh yeh -majena mafe
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- the calling -majena mafe
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February
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