 People are used to the sound of skin played by percussion instruments. Most of  them consist of at least one membrane (skin) that is stretched over a shell and  struck, either directly with parts of a player's body, or with some sort of  implement, to produce sound. But what if the skin is human? Percussion denotes  the collision of two bodies producing sound. Then what if both the two colliding  bodies are human? This scenario is not a morbid fantasy but the core of the  latest Daan Brinkmann's creation: Skinstrument. It's a musical  instrument that can be played by two or more people. It works using skin  resistance as a parameter to generate sound. Perceiving a subtle, almost  imperceptible flow of electricity players become part of a circuit, and touching  each other's skin the circuit starts to trigger a sound generation. It's crucial  then that the touching intensity determines the sound frequency. So the electric  tension is not only translated into sound but also into sexual tension,  ironically inspired by the shape of the instrument that resembles a breast and  instinctively generated by the touch of other people's skin. The result is an  unpredictable choreography based on human interaction.
  People are used to the sound of skin played by percussion instruments. Most of  them consist of at least one membrane (skin) that is stretched over a shell and  struck, either directly with parts of a player's body, or with some sort of  implement, to produce sound. But what if the skin is human? Percussion denotes  the collision of two bodies producing sound. Then what if both the two colliding  bodies are human? This scenario is not a morbid fantasy but the core of the  latest Daan Brinkmann's creation: Skinstrument. It's a musical  instrument that can be played by two or more people. It works using skin  resistance as a parameter to generate sound. Perceiving a subtle, almost  imperceptible flow of electricity players become part of a circuit, and touching  each other's skin the circuit starts to trigger a sound generation. It's crucial  then that the touching intensity determines the sound frequency. So the electric  tension is not only translated into sound but also into sexual tension,  ironically inspired by the shape of the instrument that resembles a breast and  instinctively generated by the touch of other people's skin. The result is an  unpredictable choreography based on human interaction.Valentina Culatti
 
 
 

 
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1 comment:
What a great invention! Makes me think of the bit from the Saul William's poem when he says we are 'beings of sound'. I like this idea that sound is not generated without the connection made to another. Such a great idea, thanks for bringing this to my attention.
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