I don't know how anyone could watch this video and truly believe that it is real. First off, how is it that the camera operator made sure to film from different camera angles of not just the actress "convulsing" on the ground, but also of the crowd itself. In addition, the camera operator was remarkably calm as they steadied the camera while filming in such perceived chaos. If such events truly do occur, I would bet anything that the camera operator [no matter how experienced] would be aiming the camera only on the victim with a shakier picture. In the end, there is nothing in this film that could rationally be taken seriously, and for those who still wish to believe are taking a huge leap of faith.
... this blog continues to be a bag of tricks ... l originally started it to share sound art links but it has been revamped and is now focusing on language. Like the 'unsound' it still ranges from spoken and sung cacophonies, links to writers such as Stein but now many others, my furiously fitful notion of sounded language and its scores, and hybrid or experimental writing, especially with a flarffy twist. It previously worked for me as a research space for my PhD so posts before April 2023 will reflect that. Just to be clear 'unsound' for me is no way a value judgment ... majena mafe
1 comment:
I don't know how anyone could watch this video and truly believe that it is real. First off, how is it that the camera operator made sure to film from different camera angles of not just the actress "convulsing" on the ground, but also of the crowd itself. In addition, the camera operator was remarkably calm as they steadied the camera while filming in such perceived chaos. If such events truly do occur, I would bet anything that the camera operator [no matter how experienced] would be aiming the camera only on the victim with a shakier picture. In the end, there is nothing in this film that could rationally be taken seriously, and for those who still wish to believe are taking a huge leap of faith.
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